Paul Colwell { dance photographer

I originally trained as a theatre electrician at the City of Westminster College, with a view to starting a career in lighting design. Over the next few years I set about gaining as much experience of the performing arts as possible, working as a production electrician, re-lighter and production manager on various projects throughout the UK and in the West End; as well as be lucky to do quite a bit of international touring with The Henri Oguike Dance Company.

It was during this period that my earlier passion for photography was re-kindled and I decided to pursue a career in both lighting design and photography. Since then I have had the pleasure of undertaking a big variety of photography commissions, with clients ranging from individuals to Arts Council England.

My lighting design has also flourished, with numerous productions in theatre, opera, dance and concert. Favourite shows have included The Gates of Gold at Trafalgar Studios and Shorts for The Place Prize. In recent years I have also enjoyed being a guest lighting designer to The Guildhall School of Music and Drama.

Dance Photos { how I work

Quality over quantity, always. I find that to get great dance photos, both I and the dancer have to put in a lot of effort, patience and perseverance. My objective with every finished image is to get a picture that is as close to perfect as possible and that just doesn't happen by merrily snapping away with a camera in 'machine gun' mode.

When I first start working with a dancer I usually like to watch him or her warm up and then run through a class routine or a favourite piece of choreography. This gives me a chance to assess the best way to capture the particular individual. Then the hunt begins. The hunt for a movement that will work as a still image.

Once a move catches my eye I will ask the dancer to go again and I'll take a snap shot. I look at the image (with the joy of digital!) and try to find faults with it. Then, I change something that I'm doing or the dancer is doing and take another picture; then try and find fault with the new version. I keep on doing this over and over until I can't find anything else that can be improved in the photograph. Most of the dance photos in my portfolio are the result of at least twenty images that have built up to the final version. It is a very intensive way of working but I think the results are worth it, after all, how many times have you looked at a dance photo and though, "it's really nice, but....." - I try and eliminate the "but..."

I also have my secret weapon. Whenever I do a dance shoot, I have my wife Marion to assist me. Marion is a classically trained ballet dancer, a choreologist trained at the Benesh Institute, a highly experienced stage manager and a phenomenally good photography assistant!

Although I like to think I've picked up quite a bit of dance knowledge in my time, there is nothing like a person who has experienced it first hand. Marion translates my (sometimes very strange) requests into dancer language. She also keeps her eye on all the dance details like pointed feet, turn out and relaxed hands and faces; as well as being a genius at suggesting alterations to make movements work better 'for the camera'.

And Then... { after a dance shoot

I usually spend by far the most time working on dance photographs after the shoot. First off, there's selection. Having taken dozens of photos in the search for perfection, I go through all the images and make sure only the very best is selected. I like to do this with help from the client and/or subject and from Marion, so that decisions are made collaboratively between dance and photography experts.

Once the best picture has been found, the processing and retouching begins. I do all of my own digital work, to make sure that the photograph is polished to perfection. This retouching can include anything from colour tweaking, to skin smoothing and blemish removal, to subtle body sculpting, to whole background swapping, to compositing several photos together.

This work can take many, many hours, but again I think it is worth it. A carefully processed image knocks the socks off a 'straight from the camera' shot every time.

If you would like to talk to me about dance photography or are interested in commissioning me to shoot some dance photographs, please don't hesitate to get in touch.

I think it's mad and I never cease to be surprised that some people will merrily take photos from my site and use them without even a credit, let alone permission. If you do want to use one of my photos for something, all you have to do is ask, I'm likely to say yes. Other than that, I find it necessary to state this legal stuff:-

Paul Colwell retains the entire copyright in all of the photographs, content and designs in all pages of the website www.dancephotographer.co.uk

No use may be made of the photographs, graphics, content and designs contained in this website without express permission in writing from Paul Colwell.

"Use" means any form of publication or copying of the whole or part of any photograph, graphic, content or design, altered or not, whether by printing, photography, slide projection, (whether or not to an audience), xerography, artists reference, artists illustration, layout or presentation, electronic or mechanical reproduction or storage by any other means including web site and CD rom publication.

Where the use of photographs, graphics, content or designs has taken place without permission, Paul Colwell will make such charges to the user as falls within the Copyright, Designs and Patents Act 1988.

For more information about copyright you can visit the following websites:

The Intellectual Property Office

Copyright 4 Clients from The Association of Photographers

I try to ensure that this website is free from viruses or defects. However, I cannot guarantee that your use of this website or any websites accessible through it will not cause damage to your computer. It is your responsibility to ensure that the right equipment is available to use the website. Except in the case of negligence on my part, I will not be liable to any person for any loss or damage which may arise to computer equipment as a result of using this website.

And now a few random dance related links: